Miss Cabell’s 2006/2007 season includes many exciting debuts, most notably with the Royal Opera House, Covent Garden as Eudoxie in concert performances of La Juive, the Orchestra of St. Luke’s at Carnegie Hall in Poulenc’s Gloria, the Santa Fe Opera as Musetta in La Bohème, the Opéra de Montpellier as Adina in L’Elisir d’Amore and with Opera Rara in a recording and concert performance of the title-role of Donizetti’s Imelda de’ Lambertazzi. Other notable concert appearances include Carmina Burana and Honey and Rue with the Oslo Philharmonic and Andre Previn, an all-Bernstein evening at Harvard with Judith Clurman, the Gorecki 3rd Symphony with the Minnesota Orchestra and Osmo Vänskä and a return to the Indianapolis Symphony for Mahler’s 4th Symphony with Mario Venzago. Miss Cabell also looks forward to recitals in London and Hammond, LA. Future projects include debuts with the Metropolitan and Washington Operas, the Teatro Real in Madrid, Opera Pacific and returns to Miss Cabell’s home company, the Lyric Opera of Chicago, all in leading roles.
Nicole Cabell’s past season was filled with debuts, especially in opera with the Palm Beach and Madison Operas for Pamina in Die Zauberflöte, with Michigan Opera Theater as Musetta in La Bohème and, last but not least, with the Spoleto Festival USA for Juliette in Gounod’s Roméo et Juliette. She appeared in recital in New York City as part of Marilyn Horne’s Birthday Gala at Carnegie’s Zankel Hall as well as in Chicago, Buffalo and Bradford, PA. On the concert stage Miss Cabell was heard in Louisville in both the Poulenc Gloria and Beethoven’s Ninth Symphony with Raymond Leppard in both cases, in Milwaukee in a program of Shakespeare-themed pieces with Nicholas McGegan, in crossover concerts with the Pasadena Pops and in Montreal Opera’s annual gala. She also sang in a Classical Christmas program with the Indianapolis Symphony. Later in the season, Nicole Cabell returned to Rome for concerts of Britten’s Les Illuminations and Mahler’s 4th Symphony with James Conlon and the Accademia di Santa Cecilia. In the summer, Miss Cabell made her London concert debut at the Proms in Britten’s Les Illuminations with the BBC Symphony Orchestra and Sir Andrew Davis; she returned to the Ravinia Festival for a crossover concert with James Conlon and to the Pasadena Pops for evenings of music from around the Mediterranean.
While a member of the Lyric Opera of Chicago’s Center for American Artists, Nicole Cabell had the opportunity to sing the title-role in Janacek’s The Cunning Little Vixen in student matinees as well as to cover the roles of Marzelline in Fidelio and Rita Billingsly in the world premiere of William Bolcom’s A Wedding. Miss Cabell made her extremely successful Orchestra Hall debut with the Chicago Symphony in concerts of Tippett’s A Child of Our Time with Sir Andrew Davis conducting. She also made her European debut in concerts of Brahms’ Ein deutsches Requiem with the Accademia di Santa Cecilia in Rome with Antonio Pappano and Thomas Hampson; she appeared with the Florida Orchestra as the Soprano Soloist in Mahler’s 4th Symphony with the Florida Orchestra and Stefan Sanderling and in Villa-Lobos’ Bachianas Brasileiras No. 5 with the Baltimore Symphony. Nicole Cabell was heard in recital in Little Rock, AK.
The preceding year she sang Barbarina and covered Susanna in Le Nozze di Figaro and appeared as Isabel in The Pirates of Penzance at the Lyric Opera, having sung with the same company the role of Crobyle in Thaïs in the fall of 2002. In concert, she made her debut with the Oregon Symphony as the Soprano Soloist in Mahler’s Symphony No. 2 with Carlos Kalmar and repeated Barbarina with the Chicago Symphony and Daniel Barenboim at the Ravinia Festival. In the summer, Miss Cabell was also heard live on A Prairie Home Companion in a celebration of Ravinia’s 50th season and sang the role of Lauretta in Gianni Schicchi with the Grant Park Festival.
In concert, Nicole Cabell was a featured soloist in Ravinia's All Gershwin Concert with the Chicago Symphony Orchestra under the baton of David Alan Miller, and participated in Ravinia's opening day concert, accompanied by Welz Kauffman. Miss Cabell has appeared as a soloist in Chicago's Grant Park Festival and Lyric Opera Center for American Artists Rising Stars in Concert.
Past roles include La Princesse in Ravel's L'Enfant et les Sortilèges, La Femme in Poulenc's La Voix Humaine, Miss Jessel in The Turn of the Screw, Arsamenes in Xerxes, and La Ciesca in Gianni Schicchi.
Awards include first place in both the Palm Beach Opera Vocal Competition and the Women's Board of Chicago Vocal Competition. Nicole Cabell was a semi-finalist in the 2005 Metropolitan Opera National Council Auditions and earned first place in the American Opera Society competition in Chicago. She is the 2002 winner of the Union League's Rose M. Grundman Scholarship, and the 2002 Farwell Award with the Woman's Board of Chicago.
Nicole Cabell was born in Panorama City, California, USA on 17 October 1977. She studied at the Chicago's Lyric Opera Center for American Artists and the Eastman School of Music. Nicole enjoys writing, working out, collecting music and shopping.